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art gallery in Sydney Gordon Syron Australian Art House
Gordon Syron

Gordon Syron; The way it was

Media:oil on canvas

2008 Sand dunes near La Perouse Cat No. 1905 120cmx40cm x 2

Gordon Syron

The Aboriginal Ballerina

Media:Oil on canvas

74cmx100cm framed - white

Gordon Syron

The paint brush is mightier ..

Media:Oil on canvas

.. than the sword.

Born 1941,  Nabiac NSW.

Lives in the Blue Mountains, NSW.  

Aboriginal Nation:  

Worimi -  Father      Biripi   -  Mother  

Gordon Syron was number 11 of 16 children and was brought up on a dairy farm at Minimbah on the mid-North Coast of  NSW. 

 

Gordon's Grandfather on his paternal side was an Irish convict, Patrick Daniel Syron who married a Worimi Aboriginal woman from a mission. Gordon's Grandfather, McKinnon on his maternal side, was Scottish and he married a Biripi Aboriginal woman from a mission.

 

Gordon Syron was a champion runner and later was an amateur boxer, winning the ‘Golden Gloves’ Award, two or three times.

 

Syron's first official boxing fight was at the age of 9, at the old wooden Port Macquarie Stadium where his Father was his trainer, in his corner. An early memory was of sitting proudly next to his Grandma in the front row … and being told later (by his city cousin, Brian Syron) that that was the ‘black section’ of the theatre where all Aboriginals had to sit.

 

Syron was representing Australia in the Australasian Championships when he was hospitalised and his boxing career ended.

 

He had a host of jobs as an electrical tradesman for the Government Railways and later as a linesman for Telecom.

 

From 1972 to 1982 Gordon Syron served a life sentence for killing a white man over his family's land. The first six years was spent in Maximum Security.

 

In 1972 Syron taught himself to paint and took tips from forgers. In 1978 while still in prison, Syron had his first solo exhibition at Murawina, on The Block in Eveleigh St, Redfern. This exhibition, which was organised by Mrs Bostock, Mrs Ingram and Mrs Merritt, was a success and all that was for sale was sold.

 

Syron drove trucks and taxi cabs after prison. He then co-founded with Bobby Merritt, the  “Eora Visual and Performing Arts College” in Redfern and was the first Visual Arts teacher there.

 

In 1988 Syron entered the Archibald Prize with his now historic portrait of David Gulpilil. It was not chosen as one of the 40 to hang and was returned to him unseen by the public. He was devastated,  returned to the country to live and did not paint for some years.

 

In 1998 Syron entered the Archibald again with a large painting of Mum Shirl - Shirley Smith, The Black Saint of Redfern. Again it was not hung. Six months later Mum Shirl died and the priests hung her portrait, with pride, at her funeral at St Mary's Cathedral in Sydney.

 

In the early 1990s Syron's renewed interest and involvement in the politics and history of Aboriginal Self-determination led him to paint a major series on the theme of Aboriginal Deaths in Custody - and later, he became the President of the Aboriginal Deaths in Custody Committee, Sydney, NSW.

 

It was in the 1990s when Dr Vivien Johnson of the College of Fine Arts, UNSW began to gather material to write a book on Gordon's artworks. In 1998 Syron had a Retrospective of his paintings at the Australian Museum, curated by Sheryl Connors and officially opened by Dr Vivien Johnson.

 

1993: Solo exhibition "Black Deaths in Custody", Balmain Community Centre 

 

1996: Solo exhibition "Deaths in Custody" N.S.W Parliament House opened by the Attorney General, Jeff Shaw. MC was QC Martin Einfield. 

 

In 1998 Syron joined the Humanist Society and became their Artist-in-Residence in Sydney. In the year 2000 he had a solo exhibition at the Humanist International Forum at the Law School of  the University of Technology, Sydney. He is still a member and publishes papers in the Humanist Newsletter.

 

1998 - 2005 Syron had his own Black Fella's Aboriginal Art Gallery and Museum at Darlinghurst, Sydney. 2003 - 2006 Syron also established a Black Fella’s Dreaming Aboriginal Museum at Bangalow, NSW.

 

 

Syron’s most well-known work is ‘Judgement By His Peers’ (1978) which he painted while in gaol. It is a courtroom scene where the judge and jury are all Black and the lone defendant in the dock is a white man. This painting has come to represent the way that many Aboriginals feel, as the story is turned around and satirically and ironically the roles are reversed. Instantly this painting conveys in a universal way, that justice for the Aboriginal person has a distorted history. This painting confronts history.

 

Syron paintings have been and still are displayed in offices of the Aboriginal Legal Services, the Aboriginal Medical Services, Dept of Aboriginal Affairs and the now-closed ATSIC offices throughout Australia. Syron paintings have hung at the Aboriginal Arts Board; the Dept of Aboriginal Programs, University of Adelaide; Flinders University; the NSW Independent Commission Against Corruption; and at the National Trust Exhibition: “ A Changing Relationship: Aboriginal Themes in Aboriginal Art”.

 

2004: Retrospective, The Australian Museum curated by Sheryl Connors.

 

2005: Syron had a Retrospective of paintings at Boomalli Aboriginal Artists Co-operative, Leichhardt, Sydney

 

2006: Syron was the Artist-in-Residence at the College of Fine Arts, Paddington, Sydney. 

 

2006: Solo exhibition, Downing Centre, Sydney officially opened by Justice Jane Matthews. 

 

1998 – 2007: When people walked into the foyer of the Museum of Sydney they would have seen, in prominence of place, a Syron painting entitled ‘Invasion Day’.

 

2007: "Fairies On The Ropes" Tony Mundine Gym, officially opened by Meredith Burgmann, speaker of the NSW Parliament House.

 

2008: People attending the Bejing Olympics in China will see in the Australian Pavilion, two large Syron paintings  entitled  “Terror Nullius” and “Invasion Day II”.

 

2009: Craddock Morton, director of the National Australian Museum, now one of four patrons of The Keeping Place, purchased a significant collection of Syron's protest art.

 

2010: Eve of Anzac Day, 24th April 2010 Aboriginal Diggers Exhibition "for the dead are many" opened by Professor Larissa Behrendt.

 

2010: "Blackboy Creek" solo exhibition at Cooee Gallery July 2010, as part of celebrations of NAIDOC Week, opened by Djon Mundine OAM, Aboriginal Curator.

 

2010: The Australian Museum, curated by Sheryl Connors presenting a selection of Aboriginal art from the Keeping Place collection, officially opened by Hon. Michael Kirby, patron of the Keeping Place. Syron's "Invasion Day 2010" artwork was delivered to the Queen of England by Michael Kirby.

 

2004 - 2011 The Syrons' had an Aboriginal Museum/Keeping Place in Redfern, Sydney (currently not open to public).

 

Gordon Syron currently lives with his wife Elaine Pelot Syron in the Blue Mountains, with their historical collection with dreams and works towards a permanent national Keeping Place for Aboriginals.

Gordon Syron

Squid Fairies

Media:Oil on canvas

61cmx61cm stretched Cat No. 1902

Gordon Syron

Reconciliation

Media:Oil on canvas

Signifying the eternal bond and generous love of Gordon & Elaine Syron.

 

SYRON SHOWS US WHO WE ARE


On 24th September 2008, Waverley’s Deputy Mayor Dominic Wy Kanak presented and officially opened Gordon Syron’s new works and Terry Grundmann's new gallery/museum, Bondi Shark Museum, The collection of artworks Syron has produced exclusively for this show are on sale, and Mr. Grundmann is donating his commissions to the Redfern-based museum, “The Keeping Place”.


From 1972, Gordon Syron found himself incarcerated and incredulous that he had been convicted by a jury of people who were not his peers. In these circumstances he voiced his experience by painting Judgement by His Peers. As Bruce James published in The Sydney Morning Herald on Oct 4, 1996, "An early work, Judgement By His Peers (1978), was painted during a life sentence in jail. Showing the accused as a lone-white figure amid an all-black jury and judiciary, it has the same claustrophobia and craziness as Nolan's version of Ned Kelly".


Cultural differences are still a point of contentious issue in an Australian court of law. As Chief Justice Murray Gleason pointed out during his National Press Club address in August 2008, many judges still do not understand differences in manner, for example, not looking a person in authority in the eye is an expression of respect, not guilt.


As President of Aboriginal Deaths in Custody, Syron worked tirelessly to stop the deaths in custody in the 80s and 90s. Gordon Syron continues to be motivated by themes of injustice and the absurdity of racism, disenfranchisement and the theft of this land. At this exhibition The Black Bastards Are Coming will be featured.


On 24 September 2008 Gordon Syron will also unveil a new set of artworks created for the first commercial gallery exhibition of the Bondi Shark Museum Museum (NEPTUNES GALLERY), directed by Terry Grundmann. These artworks include: The Poisoning of the Waterholes of Australia, The Paintbrush is Mightier than the Sword, Where the Wildflowers Once Grew, Invasion Day, The Dreaming Man, Do You Believe In Fairies, Hanging Gums and The Aboriginal Ballerina. Syron has also painted some new works that reflect the oceanic nature of other objects collected and displayed in the Museum. These include sharks and the remains of devoured Red Coats.

Gordon and Elaine Syron are working to document and preserve over 450 Aboriginal artist’s works at The Keeping Place. The 1300 plus artworks were recently catalogued with the voluntary support of Unilink in the Redfern warehouse provided by Local Government sponsorship.

Syron continues to act as an ambassador to the truth as, ”Invasion Day,” owned by the Museum of Sydney, hung proudly in the foyer at the Australian Pavilion at the Bejing Olympics.

For more interesting and fascinating information about the life of this remarkable man please consult his official website www.gordonsyron.com 

 

A selection of the artworks housed at The Keeping Place can be viewed on their web site: www. sellingoffablackfellasdream.com

with detailed information and images of the proposed Keeping Place - artist / writwers retreat on privately owned proprty on Magnetic Island: 

http://maps.google.com.au/maps/ms?msa=0&msid=103092656135168679920.00000111c4b4f3618d5e7&gl=au&hl=en&ie=UTF8&ll=-19.136735,146.84206&spn=0.106873,0.153809&t=h&z=13

Further detailed information, www. pentateuch.com.au/thekeepingplace enquiries & expressions of interest & development contact Gordon & Elaine Syron at elainesyron@hotmail.com

 

Gordon Syron

No trees here comes the red coat

Media:Oil on canvas

"I wanted to portray the Emu as an elegant and unusually strong bird that is wise and all knowing". "An Emu's spirit is represented in Aboriginal Dreamtime". I ask why has this native bird been unprotected and pushed back from the coast of Australia into the drier parts of Australia as have the Aborigines been removed from their fertile and lush coastline into the drier parts of Australia.

Gordon Syron

Fairy Daisies 2008

Media:Oil on canvas

Unstretched From the "Do you believe in fairies" series as seen on Message Stick episode 31 ser: 7 - "Black Fairies"

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